Marco De Vincenzo has always had a flair for the decorative, though his take on maximalist visual excess skews more kinetic and conceptual than ornate. In his three years at Etro, he’s found himself navigating a different frequency—one that’s intuitive, feminine, and steeped in a bohemian spirit. It’s the realm of the Etro wanderer: a worldly connoisseur fluent in layered references and tangled timelines. But he’s come to embrace what he calls “the auto-generative quality of its codes: they’re so strong that even with just a few changes, the look remains true to itself, yet always feels new.”

For resort, he riffed on Etro’s tried-and-true formula of print and pattern play, weaving in plenty of ruching and flouncing, intricate lace intarsia, hints of the 1970s, and overprinted nylon brocad

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