When “Good Night, and Good Luck” arrived on Broadway this spring, it initially provoked a surprising amount of cynicism. There were complaints that the adaptation by George Clooney and Grant Heslov was basically a reproduction of the 2005 film, which chronicled CBS newsman Edward R. Murrow’s heroic crusade against Sen. Joseph McCarthy’s communist witch hunts.

The sky-high cost of tickets was another source of criticism. Was Broadway pricing itself beyond the reach of its core audience? Reports of “Good Night, and Good Luck” shattering box office records served to remind those who couldn’t afford a ticket that they were being left behind by a theater culture that was siding with the haves over the have-nots.

In a Broadway season that featured Denzel Washington and Jake Gyllenhaal in a rud

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