Kudos to Studio Gallery for squeezing a wide range of interesting photography—and photography-adjacent art—into its modestly sized lower gallery space, with four simultaneous, loosely linked exhibits by D.C.-area artists.

One, Suliman Abdullah, offers photography and collage that harnesses “intentional color manipulation,” often through circular abstractions that layer grainy hues over one another.

Another artist, Beverly Logan, seeks to share what she calls the “Essence of Place”—digital collages saturated with hyperreal colors, notably an image set in Buenos Aires that features a vintage station wagon wedged into a weathered alley, in a setting captured by shades of tomato red, mustard yellow, and inky blue. A more obviously manufactured tableau by Logan, but that still offers intrigue

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