If you've ever seen Frank Cho's work, you know he's one of those comic artists who seems almost unfairly good at what he does. Whether it's his Marvel runs on Wolverine, The Hulk, and Shanna the She-Devil, or his cult-favorite Liberty Meadows, Cho's pages are a mix of metiiculous draftsmanship, bawdy humor, and unapologetic pin-up that has never quite fit any comfortable category.

This fall, New York's Philippe Labaune Gallery is mounting a career-spanning exhibition of Cho's work, curated by Nathaniel Pallant. The show will feature pieces from Cho's personal sketchbooks, new paintings, and highlights from his work on titles like Catwoman, Harley Quinn, and Conan the Barbarian.

Gallery owner Philippe Labaune describes Cho's approach as "perched at the intersection of classical illustrati

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