I t is a weekday morning and I am standing beside Pierce Brosnan on a deserted backstreet, watching a woman in a hairnet and white wellies hosing down the entrance to a fishmarket. The former James Bond is in full flow. “You know the scene in MobLand where I’ve got my foot on that guy’s throat and Tom Hardy is shooting the shit out of everyone?” He is talking in his rich, buttery burr about the recent series in which he and Helen Mirren play the heads of an Irish crime family. “We shot that right here!” He waves at the woman, who silences her hose temporarily. “Hi, hello,” he calls out. “I shot a television show here called MobLand.” She smiles back at him. “Yes,” she replies sweetly, as though indulging a confused uncle. “No idea, has she?” he chuckles. The hose springs back to lif

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