T here is something ever so slightly Martin Parr-like about this documentary, filmed inside a shabby rundown health resort near Odesa, in Ukraine. It’s not the colour palette, which is Soviet-era pale beige, but the images of holidaymakers: elderly men strutting about in thongs and playing ping pong in their vests; retirees of both sexes glad-ragged at the disco. Like Parr’s photos , the images are funny but not unkind; everyone retains their dignity. The director is Irish film-maker Gar O’Rourke, who planned Sanatorium before the war, but filmed it after Russia invaded Ukraine, which adds a layer of melancholy to the guests’ search for health and happiness.

The huge Kuyalnik sanatorium is a time warp with its brutalist architecture and institutional interiors. Back in its glory days,

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