“Man Ray didn’t consider photography to be a form of art,” said in Puck . That notion may surprise some visitors to the Met’s survey of one of the artist’s most fertile periods, because it’s “easy to get lost” in the 64 experimental photographs that constitute the heart of the show. In 1921, Man Ray moved to Paris from New York City, and he later said he was developing images for a fashion client when he left a couple of random objects atop photographic paper and accidentally exposed the paper to light. Excited by the ghostly images the process produced, he repeated it, dubbed the results “rayographs,” and printed a dozen in a 1922 portfolio, Les champs délicieux , that caused a sensation. Today, those 12 images are “both familiar and otherworldly.” They also suggest how the rayograp

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