'After the Hunt' Review: A Tiresome, Pseudo-Intellectual Waste of Time

At the top of Luca Guadagnino's After the Hunt, the question “What determines the moral worth of an action?” is scrawled on a chalkboard. These words – though not necessarily emphasized as much as the incessant ticking of a clock (“Time’s Up!” goes the #MeToo slogan) or the decision to use Woody Allen’s preferred font (Windsor Light) – call attention to exactly what the film is about: the weight of an accusation.