Last fall, artistic director Nadège Vanhee-Cybulski delved into the fetishism of equestrian culture with a collection that was all about assertion, layered codes, and control of the craft. This afternoon’s show in Paris began where fall ’25 left off. Spring ’26 was a master class in leather, suede, and quilted fabrics explored through the lens of riding and sporting language as cyphers of desire. The opening look—olive-brown, buttery-leather Bermuda shorts paired with a leather bra top reinterpreting a harness, and a leather and canvas coat—set the tone. Vanhee-Cybulski’s new offering would be sexy, refined (as always), and unapologetically forward.
Leather vests, lace-tied bra tops, and the aforementioned harness-esque bra pieces recurred throughout the collection. Silk scarves were ro