A House of Dynamite is the kind of movie that sticks in your mind for a while after viewing. The tension created when an average drill becomes a real, life-or-death situation is exemplified in the performances, but the feeling would not be the same without the support of the craft teams.

The tense scenes in Stratcom and the White House, built on stage by production designer Jeremy Hindle , wouldn’t be possible without the work of all of the craft departments. Editor Kirk Baxter ’s approach to “natural continuity”, sound designer Paul Ottosson ’s choice to bury dialogue and composer Volker Bertelmann ’s score filled with silence all played an essential role in keeping the tension alive.

There is a moment in A House of Dynamite , where the tone shifts to one of non-stop ebbs

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