We live in a world saturated with images. They can be deeply personal or commoditized, produced and consumed ad infinitum. But for the internationally renowned artist Gerhard Richter, they attest to a monumental career that not only moves through a multitude of genres, but also transmits meaning from each and every surface.

The Fondation Louis Vuitton in Paris has unveiled the most definitive Richter retrospective to date , on the same unprecedented scale as prior exhibitions dedicated to David Hockney and Mark Rothko. (It’s on view through until March 2, 2026.) More than 270 works are presented in chronological order, spanning six decades: the photo paintings—and the development of his signature blur technique—beginning in 1962; his systematic Color Charts that later evolve into dizz

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