S everal years ago, Martin Scorsese read Die, My Love in his book club. The novel, by Argentinian author Ariana Harwicz, follows an unnamed woman who moves with her husband to the middle of nowhere in France. Isolated and frustrated, she battles the confines of marriage and motherhood. She introduces herself to the reader as “a nutcase”, as “someone beyond repair”. She sets fire to ants, swears at her child, complains of its “constant clucking and grousing”. She speaks the unspeakable: “I’m a mother, full stop. And I regret it, but I can’t even say that.”

Scorsese subsequently sent the novel to Jennifer Lawrence’s production company. He was convinced that Lawrence could – should, must – play the mother. In turn, Lawrence and her producing partner, Justine Ciarrocchi, only ever had one fi

See Full Page