N ot a bad idea for a Hollywood satire here – and there’s a cameo for renowned character turn Fred Melamed, whose appearance does however have the effect of exposing how callow everyone else is on screen. Much as I wanted to like this lo-fi production, which cheekily intersperses its modestly budgeted scenes with stock footage establishing shots of the city skyline, the movie kept slipping gears and – scene-by-scene – felt awkward and uncertainly performed, along with some audio issues on the soundtrack.

The setting is Los Angeles , and Dev (Matthew Sato) is a young wannabe screenwriter humiliatingly fired from his job as an executive’s assistant for hawking his script to his employer’s competitors, and his need to break into the biz becomes increasingly desperate. To the dismay of his

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