W ith a title taken from the traditional opening phrase of Armenian fairytales, Emily Mkrtichian’s feature debut hints at the impermanence of life itself. Shot in the now defunct republic of Artsakh , the film follows four extraordinary women who find their hopes and ambitions cruelly derailed by war. The breakaway state was formed in 1991, after decades of political discrimination under the Soviet Union and military conflict between Armenia and Azerbaijan. For the predominantly Armenian population here, their peace has always been under threat.

The personal journeys of Mkrtichian’s subjects feel even more remarkable in the face of these uncertainties. A judo champion, Sose aspires to represent her country at the Olympics; Siranush campaigns to be on the city council; and Gayane runs a

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