T he latest offering from the estimable Exhibition on Screen strand takes on one of the biggies – and with a title like that, it is also perhaps treading on other hallowed ground: that of Derek Jarman, whose 1986 biopic is arguably the most brilliant rendering of the great painter’s life and death . By contrast, this Caravaggio is a much more orthodox art-documentary treatment of its subject, playing to the strengths that the EoS films have built up over the years: beautifully crisp and detailed closeups of the work, well-informed and articulate talking-heads, and a nicely judged overall approach that is intelligent but not indigestible.

To be fair, this particular artist is well worked territory, so to spruce things up, the joint directors, David Bickerstaff and Phil Grabsky, cut in s

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