For followers of the indie-folk and rock scene, Raghu Dixit needs no introduction. For close to two decades, the indie-folk rocker has served up some of the most memorable melodies — from Hey Bhagwan , with its wicked mix of distorted electric guitar and violin that took India by storm in the late 2000s, to the classic Mysore Se Aayi Hai , and I'm in Mumbai, Waiting For A Miracle , a tribute to the ever-accepting spirit of the maximum city.

I recently caught up with Dixit, who reflected on his two-decade-long journey across 40 countries, on rethinking creativity, the indie ecosystem, and what AI means for the next generation of musicians.

From microbiology to music, from the lab to the stage

Before he became frontman of The Raghu Dixit Project and one of India’s most recognisable

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