T his is a painful movie in both the right and the wrong ways; I found something fundamentally unpersuasive and unhelpful in its contrived, high-concept depiction of grief. Adapted by writer-director Dylan Southern from Max Porter’s novella Grief Is the Thing With Feathers , it stars Benedict Cumberbatch who gives a well-intentioned performance as a children’s author and graphic novelist. Living a middle-class existence in London, he is suddenly widowed; one of the movie’s off-target qualities is its refusal to specify the cause of death or even show us clearly what his wife looked like, which in real life would be unbearably vivid facts. Sam Spruell has a quietly sympathetic role as Cumberbatch’s brother.
Left to look after their two young boys, he succumbs to a kind of breakdown, and

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