Donald Trump is on track to become one of our greatest builder-presidents, in line with Thomas Jefferson and Theodore Roosevelt.

His critics bemoan his bold initiatives, but Americans are embracing his classical and traditional undertakings.

The only real destruction caused by his projects is the loss of the establishment’s cultural hegemony.

The new White House State Ballroom is the latest case in point.

The left denounces the two-term president as a “king,” but his plans for the former East Wing reveal a democratic executive with the popular intelligence of a lifetime in real estate.

With funding secured by private donations made through the Trust for the National Mall, rather than by taxpayer revenue, Trump has set out to leave a lasting legacy on the White House grounds free of ch

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