‘I almost always play it in hiding, alone’: can anyone get into free jazz, history’s most maligned music?

Even though he’s partial to hideous noise, free jazz is mostly unknown to the Guardian’s pop critic. A new guidebook from Sonic Youth’s Thurston Moore may change his mind

In the 1980s, Sonic Youth’s Thurston Moore asked his friend, the writer Byron Coley, to furnish him with a selection of jazz tapes to listen to on tour. Moore had experienced New York’s fabled avant-garde jazz loft scene first-hand in the late 1970s but “wasn’t so clued in”, he says. “Perhaps I was too young and too preoccupied by the flurry of activity in punk and no wave.” Now, he was keen to learn more.

The tapes, “of Coltrane, Mingus, Dolphy, Sun Ra, Monk et al”, led him by degrees to free jazz: the style of jazz unmoored from standard rhythms and phrasings, resulting in arguably the most challenging and far-out mus