Earlier this summer, the pop star Sabrina Carpenter released “Manchild,” the first single from her seventh album, “Man’s Best Friend.” It’s a fluffy screed against a dude mired in an endless adolescence. Heading into the chorus, Carpenter sounds both rankled and coquettish:
It’s all just so familiar, baby, what do you call it?
Stupid
Or is it slow?
“I choose to blame your mom,” she concludes on the second verse. It’s not the only time that Carpenter has been let down by an undercooked suitor. A big part of the singer’s allure is the way that she ultimately shrugs off the crummy choices she makes while in the throes of lust, boredom, yearning, whatever; she aspires not to normie perfectionism but to something more hectic, funnier, looser, more bonkers. In the video for “Manchild,” a hit