In the last season of Caveh Zahedi’s The Show About the Show, Zahedi’s soon-to-be-ex-girlfriend calls a suicide hotline.

“She said to me that she was thinking of killing herself, and it’d be good for the show,” Zahedi, 65, says to the camera blankly, “And I’m like, ‘Oh man, this would not be good for the show at all.’”

This really happened, because everything in The Show is true. Or, I should say, true to Zahedi, as he is diligent about reminding his audience.

Everything in The Show is either a recreation of something that has happened, as he remembers it, or behind-the-scenes footage of such recreations.

Each episode is about what happened in the making of the last episode. It is a brilliant series, one that can’t be categorized easily into traditional genres. It also ruined his t

See Full Page