Venice | The first feature film in nearly 10 years from Kathryn Bigelow, the provocateur behind The Hurt Locker and Zero Dark Thirty , begins with the silhouettes of soldiers carrying machine guns against the pink of a rising sun.

“At the end of the Cold War, global power reached the consensus that the world would be better off with fewer nuclear weapons,” reads the text on screen, which goes black as tense music builds before more words appear. Loading...

Washington Post

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