That Elena Ferrante has been Italy’s most prominent literary export for years now is perhaps to the detriment of that country’s other great contemporary writers.
One is Donatella Di Pietrantonio, a pediatric dentist who shares a publisher and translator with Ferrante (Europa, Ann Goldstein, respectively). Like Ferrante, Di Pietrantonio writes female coming-of-age stories, though the measured style of her Strega Prize-winning fifth novel, The Brittle Age , has none of the narrative relentlessness that characterizes Ferrante’s Neapolitan trilogy. Slim and emotionally perceptive, it’s based on the real-life murders, in the 1990s, of two young women, and the attempted murder of a third, in Italy’s Abruzzo region.
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You wouldn’t call it true crime though, sinc