The word “reinstallation” may not sound as exciting as a summer blockbuster or special touring exhibit, but it’s where museums do some of their most substantial work. Rethinking the presentation of a permanent collection determines not only the story those objects tell, but what the museum is as an institution.

So I’m happy to report the de Young Museum’s gone ethical for the reinstallation of their Native American galleries. Art of questionable provenance is out; contemporary art lent or commissioned directly from the artists is in. The paint’s fresh and the galleries are uncluttered. It’s a pleasure to linger.

A new walled entrance from the Wilsey Court announces the renamed Arts of Indigenous America while shielding the gallery from view. The first gallery, “Rooted in Place: Californi

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