Summary • Nathaniel Mary Quinn has opened his fifth solo exhibition, ECHOES FORM COPELAND at Gagosian • Now on view through October 25 and the gallery's West 24th Street outpost, Quinn's latest body for work explores ideas of self-realization, hope and transformation through the lens of Alice Walker's The Third Life of Grange Copeland (1970)

In ECHOES FROM COPELAND, his fifth Gagosian solo, acclaimed American artist Nathaniel Mary Quinn alchemizes fear and loss into a new, biting body of work. Culling creative influence from the literary force of Alice Walker and figurative abstraction à la Francis Bacon, Quinn delivers ardent introspection through his portraits — sublimely fragmented and fractured, but nevertheless, whole.

Drawing on Walker's seminal debut, The Third Life of Grange

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