This week marks 120 years since the 1906  Atlanta Race Massacre , when white mobs laid waste to Black‑owned businesses and lives. At SXSW this spring, I experienced that history through a phone‑based augmented‑reality installation. Standing on a downtown sidewalk, I watched a true-to-life hologram of an actor portraying Black journalist Jesse Max Barber describe the violence as it occurred. The smoke and fear felt immediate, in a way no book or film could convey. It reminded me that immersive media, used with care, can turn cold facts into felt experience.

We’re rightfully wary of technology. Algorithms feed us outrage; screens swallow our evenings. Critics warn that headsets will lure us into isolation. ( WALL‑E, anyone?) That risk is real.

But by focusing only on the dangers, are w

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