Mark Ronson has one of the finest heads of hair in all showbusiness. The music producer’s coiffure is a dark, whipped and quiffed thing that makes it look as though he naturally belongs on a Vespa in Capri, being ogled by the belle ragazze as he scoots on by. As a cultural object, it certainly surpasses the Oscar he won for the songs in that Lady Gaga remake of A Star is Born ; it probably equals his Barbie soundtrack; and maybe even approaches the hits he made with and for Amy Winehouse.

But it wasn’t always like that. Back in the 1990s, Ronson’s hair was a standard-issue crop, while he was a gawky young club DJ looking to make it in New York. It’s this scene that he writes about in his memoir Night People , not the fame and accolades that would follow. He calls it ‘the Mark Rons

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