Taylor Swift 's new album, The Life of a Showgirl , has a massive problem — a staggering lack of self-awareness.
Of course, that critique of Swift isn't novel. For years, Swift's critics have argued that she sees herself as a perpetual victim — of manipulative lovers, traitorous friends, cutthroat enemies, and unscrupulous music executives. They've also observed that Swift appears to sometimes cruelly and publicly punish those who betray or slight her, particularly through her songwriting.
This portrayal could be convincing at times. After all, some of Swift's biggest hits, like "Bad Blood," "Mean," and "Karma," are about score settling. Yet Swift also managed to balance her lust for vengeance with honest vulnerability or genuine growth in songs like "Anti-Hero" and "The Ma