“Everybody that thought about the 1619 Project … saw that the Smithsonian had fingerprints on it,” Smithsonian Secretary Lonnie Bunch III once said with pride , a curious boast given the Project’s many inaccuracies. But a visit to one of his museums reveals that the reverse is also true.

The 1619 Project , published by the New York Times six years ago expressly to “reframe the country’s history,” also has fingerprints all over the Smithsonian Institution’s National Museum of African American History and Culture.

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