NEW YORK — The great playwright August Wilson used to say he’d just let his characters talk and then try and get out of their way. Bess Wohl’s fascinating and superbly acted Broadway play “Liberation,” by contrast, is entirely frank that this is the playwright talking — or, more specifically, asking question after question of her mom’s generation of 1970s feminists.

On the one hand, this ambitious and personal play, first seen off-Broadway at the Roundabout Theatre, is a moving tribute to the big thinkers who got naked in their meetings (which is why the show judiciously locks up the audience’s phones) and to the pioneers when it came to demanding respect in the workplace, building reproductive rights, advancing sexual freedom and demanding equal pay. Not to mention myriad other victories

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