The men in All Her Fault never utter the titular three words. But you know they’re thinking them when a young boy goes missing from a playdate his mother set up (all her fault), when a husband has to rearrange his work schedule because his wife has a meeting (all her fault), and when a teen’s overspending sends her boyfriend into a life of crime (all her fault). These women exist to their partners primarily as an inconvenience, and the Peacock adaptation of Andrea Mara’s novel of the same name hammers home the inequity in their relationships, family dynamics, and workplace over and over again. And yet it doesn’t get monotonous. Rather, All Her Fault gathers fury as it goes, particularly for anyone who would dare dismiss women as the fairer sex. And that “anyone” — well, it’s mostly the

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