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It takes a certain composure, as a teenager, to walk out onto Taylor Swift’s stage in a sold-out stadium and play an opening set to tens of thousands of fans who have never heard of you. But it takes even more conviction to use the occasion to play music almost guaranteed to leave them squirming — grimy, bloodletting noise-rock and electro about being a sexual menace and growing disillusioned with God.

The now-20-year-old singer-songwriter Sofia Isella did that last year, opening on the Australian run of Swift’s Eras tour. “Taylor was an angel for allowing me to share that stage,” L.A.-raised Isella said. “I wish I could have recorded that feeling. But the show itself is not as nerv

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