T hirty-five years ago the Young British Artists crashed into Britain’s senescent art world and dumped two fried eggs and a kebab on its top table. Or at least that was the myth. Now Sarah Lucas, toughest of the YBAs, is 63, her fried eggs and kebab are art history, and she’s besties with Maggi Hambling, 80, one of the last of the old-school painters. Lucas admires Hambling not just as an artist but a woman, and in Maggi the Maggi, she has created a loving, heroic image of Hambling’s face made entirely of cigarettes. Hambling returns the compliment with Sarah at Work which, like all her paintings here, is a slapdash mess. But it’s hard to pay much attention to Hambling’s daubs when your eyes are full of balloon breasts (by which I mean boobs moulded on party balloons), shiny red bums th

See Full Page