A vril Coleridge-Taylor always felt the weight of her father’s legacy. As the daughter of Samuel Coleridge-Taylor , one of the most famous British composers of the early 20th century, Avril’s was a name enveloped in the long shadows of history.

Earlier this year, I sat with these shadows as I prepared to make the world premiere recording of Avril’s 1936 piano concerto with the BBC Philharmonic. With its impassioned harmonies, soulful lyricism and valiant rhythms, Avril’s work will grant new listeners fascinating insight into how she – a wartime composer, born in 1903 – conceived of her world as a woman of colour.

But here’s the thing about shadows. It can take a while to adjust, to see shapes as they really are, to distinguish truth from distortion, and I had been afraid to confront

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