S hot in Laos , Kimi Takesue’s idiosyncratic documentary gazes upon sights and vistas that would not be out of place on travel postcards. Minimal in its camera movements, the film looks at glimmering golden temples, waterfalls cascading down silver rocks, and processions of monks moving through lush landscapes. It also shows what is absent from glossy brochures, namely the intrusion of tourists. The disruption to the local rhythm of life is at once visual and aural: we see throngs of wandering visitors, their casual clothes of shorts and T-shirts a stark contrast to the ancient architecture. Their occasionally rowdy leisure activities are intercut with more mundane moments from the locals’ everyday lives, like schoolchildren heading to class or laywomen offering alms to monks by the roa

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