O n a wide suburban street in Canberra’s Weston Creek district, with utes in driveways and front yards dotted with children’s toys, Genesis Owusu greets me at the door of his discreet, tan-coloured bungalow. His living room is neat, understatedly furnished, with timber venetian blinds closed against the afternoon sun.

In contrast to his swaggering, aggressively cool onstage persona, the Ghanaian-Australian artist, born Kofi Owusu-Ansah, is disarmingly down-to-earth. As we prepare to go, he tells me I am wearing the right shoes for our walk and asks if I was last in Canberra on a school trip to Questacon.

View image in fullscreen While Owusu-Ansah is preparing to be the centre of attention again on a run of intimate shows, he’s content in the relative anonymity of Canberra. Photogr

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