Aziz Ansari tries to meld social commentary and comedy in his new film “Good Fortune,” about wealth disparity and the shackles of the gig economy . It’s populist territory that is ripe for a big screen skewering and Ansari, who wrote, directed and stars, is attempting something sincere, noble and broadly entertaining. But a modern day “Sullivan’s Travels” this is not. kAm“v@@5 u@CEF?6[” k2 9C67lQ9EEADi^^2A?6HD]4@>^2CE:4=6^72==\>@G:6D\42=6?52C\a_ad\cacgd2ff32d`aace73_ge_dee5bfgg34Qm:? E962E6CD ?k^2m@H[ 86ED 2 =:EE=6 =@DE :? E96 =@8:DE:4D @7 :ED 72>:=:2C 9:89 4@?46AE AC6>:D6[ :?G@=G:?8 2 8F2C5:2? 2?86= k2 9C67lQ9EEADi^^2A?6HD]4@>^2CE:4=6^2=6I\H:?E6C\<62?F\C66G6D\8@5@E\3C@25H2J\e4acd6334_c_he3`af4752d44425536fQmWz62?F #66G6DXk^2m H9@ >2<6D E96 A@@C 8FJ Wp?D2C:X DH:E49 H:E9 E96 H62=E9J 8FJ

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