Guillermo del Toro has been telling monster stories for as long as he’s been making films. A romantic with keen appreciation for the macabre, his creations are things of strange beauty, haunting, poetic and unforgettable. It’s no wonder his earliest love was “Frankenstein,” first the Boris Karloff film, then the novel, which set him on a path to becoming a filmmaker. kAms@?’E 6IA64E 2 3J\E96\=6EE6C 252AE2E:@? @7 |2CJ $96==6J’D :>>@CE2= DE@CJ[ 9@H6G6C] k2 9C67lQ9EEADi^^2A?6HD]4@>^2CE:4=6^7C2?<6?DE6:?\G6?:46\7:=>\76DE:G2=\a_ad\_bh6h6g2e`5d`4hgah42`_dgha`5f6e6Qm%9:D “uC2?<6?DE6:?[”k^2m k2 9C67lQ9EEADi^^2A?6HD]4@>^2CE:4=6^72==\>@G:6D\42=6?52C\a_ad\cacgd2ff32d`aace73_ge_dee5bfgg34Qm:? E962E6CDk^2m ?@H 2?5 DEC62>:?8 @? }6E7=:I @? }@G] f[ :D 2? :?E6CAC6E2E:@?[ 2 C625:?8 @7 E92E E2=6 @7 E96 3C

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