Thespian extraordinaire Pankaj Kapur returns to Pollywood after three decades with ‘Raavi de Kande’. But, not much has changed: the stories remain stitched from the same fabric — righteous cause, rustic charm, a few teardrops, a few chuckles, and a sermon.

Comfortably familiar, the music hits harder than heartbreak, comic relief barges in when it shouldn’t — it’s Punjabiyat on film.

The story follows Chaman Lal (Kapur), a respected trader in a scenic yet regressive village, raising four daughters — his own and inherited. The opening, shot across Basohli and Katra, frames the Raavi (Ravi) like a character, while Feroz Khan’s title track alone deserves a nod.

Trouble begins when the youngest daughter rides to Pathankot with a friend’s brother to submit a college form, spotted by a moral-p

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