F amke Janssen is dressed for her photoshoot at the Covent Garden hotel exactly as her character, Betty, would dress in the new Netflix crime drama Amsterdam Empire – lacy and floral but tailored and mini, with long school socks. Is the look sexy in a sardonic way, or irony expressed through fashion? We spend a lot of time, one way or another, talking about objectification, the beauty myths of the patriarchy, the collateral damage of the self – sexism, basically. Janssen has been in more than 60 films across a 30-year career, and before that, she was a model. There’s a lot to talk about.

So it hardly seems the time to mention how smoking she looks; her face as flawless and cheekboney at 60 as it was nearly 30 years ago, in the 1995 James Bond film GoldenEye. It’s almost unnerving – if

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