Flexing its development muscle at the current edition of the Ventana Sur market, Brazil’s Projeto Paradiso is rolling out three new fiction features – Stephanie Ricci’s “Night’s Mouth,” Wara’s “Who Named the Earth?” and Luciana Bezerra’s “My Brother” – as the latest projects backed by its Paradiso Incubator, one of the country’s most coveted screenplay labs.

The trio, hailing from São Paulo, Ceará and Rio de Janeiro, sketch the kind of cinema that Projeto Paradiso – a philanthropic initiative supporting the Brazilian film sector from the Olga Rabinovich Institute – is betting on: formally ambitious, politically and socially engaged, rooted in sharply defined territories yet conceived to travel across festivals and markets.

The official announcement of the 2026 selection takes place

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