When Vogue photographer Lee Miller crossed into war-torn Europe and proved with her stark, black-and-white photographs of the Nazi concentration camps how the people were suffering during World War ll, her magazine did not print the pictures, because they would be too distressing for readers.

The courageous woman, who believed that as a journalist it was her duty to bear witness, did not flinch when faced with terrible scenes of war crimes and cruel deaths, and today, some of the photographs that were published and others that were found in the attic of her home after her death show how compelling and profoundly impactful her war photography was and how it fearlessly documented the excesses of the Nazis and Adolf Hitler.

Lee, a film on her life directed by Ellen Kuras, in which the redou

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